Divine Downloads

SRI LALITOPAKHYANAM (LALITHA-UPAKHYANAM)

2010-09-19T10:44:00.001+05:30

Introduction
The anecdotes of the divine play of Para Shakti (The Ultimate Power i.e. the Divine
Mother) are described in the various texts of mythology in several ways. Devi
Bhagavata, Durga Saptashati in Markandeya Purana by the sage Vyasa and Tripura
Rahasya narrated by the Lord Dattatreya are of this category. Not only that. Many
Tantra books pertain to this pious theme.
The rituals of worship and spiritual practices to attain the grace of Para Shakti are
multifarious. Among them some methods of Samayachara (benign rituals) and
Vamachara (wild rituals) are still in vogue in India. There are some mutual
contradictions among these rituals.
Lalita Sahasranama Stotra, the hymn of 1000 names of Lalita is the best one
venerated by the followers of all the traditions. There is not a single ritual, which
has any difference of opinion on this hymn, which is found in the Brahmanda Purana.
The spiritual masters of the past have written several commentaries on the Lalita
Sahasranama Stotra. They have firmly established that the hymn contains the
essence of the Mantra Shastra (the science of holy chants) of the entire world. They
have thoroughly analysed and described each name of the hymn from various
aspects.
The first set of 100 names of the hymn describes in detail the story of Lalita. Take
for example, the fourth name “Chidagnikunda Sambhuta” which means the Divine
mother manifested from the fire-pit of the Supreme Knowledge. Where can we find
such a fire pit?
Consider another name “Kamesha baddha Mangalya sutra sobhita kandhara” i.e.
One with the Mangala sutra tied around her neck by Kameshwara. (Mangala sutra is
the holy thread with a golden pendent tied around the neck of a bride by the
bridegroom) Who is Kameshwara?
We find another name “Kameshwarastra nirdagdha sa Bhandasura sunyaka”. This
means that the Divine Mother has burnt to ashes both the demon Bhanda and his
capital city of Sunyaka using the weapon of Kameshwara. Who is the demon
Bhanda?
First of all we said Lalitasahasra. Who is Lalita?

(Continued.....)
All these questions are answered in detail in the Lalitopakhyana in the Brahmanda
Purana. The narration is written in the form of conversation between Hayagreeva
and the sage Agastya. Hayagreeva in this context is a seer. There is a celestial of
the same name. Who are they? We get the reply for this also in the text.
There is a detailed description in the book establishing the harmonious synthesis of
the aspects of the three deities Shiva, Vishnu and the Divine Mother.
In the past several devotees used to daily recite Lalitopakhyana, the detailed story of
Lalita. This pious story contains the inner meanings of the several technical terms of
the spiritual science and the finer aspects of the Mantra Shastra (the science of holy
chants). Let us enjoy the feast of nectar by listening to this pious story with deep
devotion.
Penance of Agastya
Long ago, the mountain Vindhya (central India) started growing upward in gigantic
proportion due to egoism. The sage Agastya decided to subdue the pride of
Vindhya. For this purpose, he came from Varanasi (Uttara Pradesh, India) and
settled in South India. By the divine presence of the sage Agastya, the entire South
India gradually became prosperous and pious.
Eventually the Kali Yuga started (As per the tradition of India, Kali Yuga is the fourth
Age, the others being Kruta, Treta and Dvapara). Inspite of the severe inspection of
the sage Agastya, the evil traits of the Kali Yuga started sprouting slowly. Noting this
trend, the sage felt sad and proceeded on a pilgrimage.
The strange and unrighteous ways of the people made him quite unhappy. There
was rampant selfishness and sensuousness prevalent everywhere. “How can these
people attain liberation?” – This was his nagging grief.
After reaching Kanchi (Tamil Nadu – South India) he was unable to bear the burden
of the grief, and performed severe penance meditating on Varadaraja (The Best of
the boon givers – a synonym of Vishnu).
God’s ways are mysterious! His power of illusion is incomprehensible! Vishnu
appeared to the sage in the form of Hayagreeva. Agastya asked Hayagreeva “Oh
Lord! What is the path of salvation to these ignorant people”?
Hayagreeva replied “There are two paths for this. They are:
a) After renouncing everything, one can attain the knowledge of the, attributeless
aspect of God. This is a very difficult way.
b) The second method is to worship the Divine Mother who is the form of Vishnu
with attributes. Even a sinner can do the worship. There is another advantage in
this type. The devotee can simultaneously get enjoyment and salvation by
following this path”.
Further, Vishnu ordered to the sage Agastya “You have to propagate this divine
secret in the entire world”.

(Continued..)

The sage asked, “Lord Vishnu! Kindly narrate the story of Para Shakti (The Ultimate
Power, the Divine Mother) who is your aspect with attributes ”. At this stage, Vishnu
asked sage Hayagreeva (born with the Lord’s aspects) to tell the detailed story to
Agastya.
The Divine Mother emanated from meditation of Brahma (the Creator). Her name
then was Prakruti (The nature).
Mohini Avatara
For the second time, the Divine Mother manifested as Mohini at the time of the
churning the ocean by the celestials and the demons (to obtain Amruta-nectar). (Continued....)

Agastya said, “Hayagreeva! Kindly let me know in detail which
form of Para Shakti (The Divine Mother, the Supreme Power) will bestow both food
and salvation to the devotees in the Kali Yuga”. Hayagreeva replied, “Lalita Devi is
the only Goddess who has the power to do so. Listen to her story”.
In the distant past, Sati Devi, a daughter of Daksha was married to Shiva. However
gradually, Daksha developed hatred towards Shiva. Due to this ill will, Daksha
intended to perform a Yaga (fire sacrifice) without making any offering to Shiva. He
didn’t invite even his daughter Sati Devi to the Yaga.
She came to know of the forth-coming great Yaga to be done by her father. She
didn’t know other details. However, overjoyed by the news of the ritual her father
was going to perform, he went to the Yaga, in spite of Shiva’s disapproval of her
visit.
Sati Deha Tyaga (Self-immolation of Sati)
Ignoring the natural affection to his daughter, Daksha insulted her and repeatedly
abused Shiva. Unable to bear the insult to Shiva, Sati Devi burnt her body in the fire
created by her power of yoga. Knowing about this calamity, Shiva became furious.
Creating the terrific Veerabhadra out of the locks of hair of His head, Shiva sent him
to attack Daksha. Veerabhadra destroyed the hall of Yaga, swallowed even the
Chakra (the circular weapon of Vishnu) and beheaded Daksha. The wives of Daksha
prayed to Veerabhadra who was pacified and revived Daksha back to life by joining
the head of a goat to the trunk. Daksha repented and prayed to Shiva for pardon.
Sati Devi was born as the daughter of Himavanta (Himalaya Mountain) and Menaka,
as the couple did penance for 150 million years with the intention to beget her as
their child. The newborn was named Parvati (daughter of Parvata-mountain) and
brought Her up with love and affection.
One day, the sage Narada visited Himavanta and said, “You are very fortunate. The
Divine Mother is born as your daughter; Shiva is doing penance in your mountain
range in his “Sthanu Ashrama” (abode of stones). After the departure of Sati Devi,
He has become an ascetic. It will benefit you considerably if you send your daughter
to serve Him”.
Himavanta’s joy knew no bounds on hearing Narada’s words. He went to the abode
of Shiva along with his daughter. After taking Nandi’s (the Ox which is the vehicle of
Shiva) permission, he approached Shiva, worshipped Him and prayed to Him to allow
Parvati to serve him. Shiva said, “OK. She may do so”. Then onwards, Parvati used
to render services to Shiva for hours together. However, Shiva used to be in a state
of ecstasy of yoga continuously.
Kama Dahana (Burning of Cupid)
This being so, a demon by name Taraka invaded and occupied the Heaven along with
his army and started to hurt and pester the celestials. All of them approached

Brahma for relief, who said, “The son born to Shiva and Parvati only can kill the
demon. Hence you make such efforts that the marriage will be performed”.
Indra, the Lord of the celestials called for Manmatha (Cupid-the god of love). He
praised Cupid and asked him to see that Shiva’s ascetic attitude was lessened and
that He would start to love Parvati. Manmatha was exuberated by praises and
agreed to do as directed.
Ratidevi, the spouse of Manmatha came to know of this new assignment and tried
her best to dissuade cupid from embarking on the hazardous venture. In spite of it,
Cupid proceeded to Shiva’s abode “Sthanu Ashrama”.
There he suddenly created the alluring atmosphere of the spring season. The
Pramathaganas (the armies of Shiva) were very much disturbed in their minds with
the erotic feelings. Observing this, Nandi (Ox-the vehicle of Shiva) disciplined them.
In the meantime, Cupid entered the abode of Shiva stealthily and saw Shiva seated
in the state of ecstasy of meditation. The very sight of Shiva in the posture suddenly
unnerved Cupid. At the same moment, Parvati came there. Looking at Her, Cupid
recovered his courage.
While Parvati was getting up after bending low to prostrate to Shiva, Her upper
garment slipped a bit. Exactly at that moment, Manmatha aimed an arrow (of lust)
on Shiva, whose mind was affected a bit. Observing this, Parvati feet a gush of joy
inwardly.
However Shiva analysed His feeling immediately and looked around to know why it
happened so. Shiva saw Cupid hiding behind the bushes. At once, Shiva’s third eye
(in between the eyebrows) opened and the fire rushing therefrom reduced Cupid to
ashes. Parvati closed her eyes out of fear. By the time She opened Her eyes in a
moment, Shiva disappeared with all His attendants. Himavanta came there, consoled
Her and took Her home. Ratidevi wept bitterly due to the death of her husband
Manmatha. Vasanta, the god of spring approached Ratidevi, consoled her and
reminded her of the curse of Brahma to Manmatha.
Curse of Brahma to Manmatha:
Once upon a time, there were two demons by name Sunda and Upasunda,
who were brothers. They did penance meditating on Brahma and obtained a strange
boon that their death could not be caused by anyone else except by themselves
only. They were very much fond of one another. Hence they expected that no mutual
harm would be possible.
Thereafter they created havoc by their terrific acts in the three worlds. All the
celestials prayed to Brahma who thought of a strategy to destroy the demons. He
accumulated the essence of beauty of all the fine things in the world and created a
woman of exquisite beauty. As she was created with a gingelly aspect of beauty in
everything, she was called Tilottama (Tila-gingelly; Uttama-Best)
Her beauty enchanted even the celestials. Brahma checked up keenly whether her
beauty was superb in all aspects. Manmatha, who happened to be there at that time,
wanted to play a practical joke. Hence he aimed an arrow (of lust) at Brahma. Due
to this, Brahma forgetting that she was His daughter chased her lustily. As a last
resort, Tilottama started running taking the form of a deer. Brahma also followed her
in the form of a deer. The celestials were highly agitated by this untoward event.
Observing this impending danger, Shiva manifested as a hunter and holding a bow
and arrows came near Brahma who was in the form of a deer.
Looking at the fierce form of Shiva, Brahma came to senses. He prostrated to His
feet and prayed for pardon. By then, the celestials and Tilottama arrived there.
Everyone was pacified. After taking Shiva’s permission, the celestials sent Tilottama
to meet Sunda and Upasunda looking at Tilottama going about in a garden, both
Sunda and Upasunda competed to enjoy with her and at last the demons killed and
another.
Tilottama returned to Brahma, who felt happy and sent her to the Heaven with a
permanent status as one of the Apsaras(celestial dancers).
After the entire affair was over, Brahma recollected what all had happened and sent
for Manmatha and said “You fellow! Blinded by the power bestowed to you, how dare
you aim your arrows (of lust) at one and all, disregarding their age? Do you intend
to destroy the code of righteousness? I am saved of grievous sin due to the timely
arrival and protection of Shiva. Hence, one day you will be burnt to ashes by the fire
of Shiva’s third eye. Beware!”
Hearing the curse, Rati and Manmatha were frightened and prayed to Brahma for
relief of the curse.
Brahma regained His composure and said, “The Divine Mother will manifest as
Lalitadevi. She will marry Shiva. After the marriage, She will revive Manmatha to
life”
After narrating the story, Vasanta (the god of spring season) consoled Ratidevi,
saying, “Sister-in-law! It is a must for everyone, however great he is, to undergo the
suffering of a curse. However as predicted by Brahma, my brother Manmatha will be
revived to life soon. Until then, be bold and continue to pray to Lalitadevi.
Ratidevi left the place and followed the advice.

(Continued........)
Birth of Bhandasura

At this point of time, Chitrakarma, the commander of one of the Rudra Ganas

(Gana = troupe) one day started toying with the ash of the burnt Manmatha and
prepared a doll out of it. He took this doll to Lord Shiva.

Lord Shiva’s intentions are indeed unfathomable. As soon as the doll neared

Lord Shiva, it sprang to life and the boy thus born prostrated before Lord Shiva and
Chitrakarma.

Chitrakarma was overwhelmed with joy. He gave the boy the Upadesha of

Shata-Rudreeya Mantra and asked him to undertake penance.

When the penance reached the stage of fruition, Lord Shiva appeared before

him. He asked Lord Shiva to grant him a special boon “anyone who fights against me
should immediately lose half of his strength and that strength should be added to my
strength. None of the weapons of my opponents should be able to bind me” was his
request. Immediately Lord Shiva granted the boon and added, “I am also bestowing
on you the boon of ruling the kingdom for sixty thousand years”. After giving these
boons, Lord Shiva disappeared.

He became surprised and a bit apprehensive by the words of Lord Shiva. But

soon he forgot it. Lord Brahma, who was witnessing all this, grew frustrated and swore “Bhand”
“Bhand” (meaning shame, shame). From then on, he got the name “Bhanda”.
Because of his qualities he became an Asura (demon) and entered the domain of
Asuras. This is how he got the name ‘Bhandasura’.
156. In the mean time, from the remnants of the ash of Manmatha were born two
demons – Vishukra and Vishanga. These two became the main brothers of
Bhandasura. In addition, thousands of Rakshasas (demons) were born out of the ash of
Manmatha. All of them became followers of Bhandasura. They formed a strong army
of 300 Akshouhinis (one Akshouhini consists of 21870 elephants, 65610 horses and
109350 soldiers).Having come to know about the birth of thousands of Rakshasas, Shukracharya
(the guru of Rakshasas) came there and assumed the role of the Guru for all those
Rakshasas and initiated them to undertake regular Anushthanas (daily rituals).
He also summoned Maya, the architect-builder of demons and asked him to
create a new city in the province of Mahendra Mountains. He named the city as
‘Shoonyaka Pattana’
Shukracharya asked all the demons to move to the new city. He crowned
Bhandasura as the king of the newly formed kingdom and made Vishukra and
Vishanga the Yuvarajas (princes) of that kingdom.
Bhandasura had four wives. 1. Sammohini, 2. Kumudini, 3. Chitrangi 4.
Sundari.
Under the guidance of Shukracharya, activities like fire sacrifices, Vedic
education and penance went on uninterruptedly in every house.
Tormenting of the three worlds:
When the kingdom was well established, Bhandasura called for a meeting of his
brothers and ministers and said :
A) Devatas (Gods) are our enemies. As long as Manmatha was alive, their
lineage continued without any problems. They also enjoyed many
pleasures.
B) Now, because of our luck, we have taken birth from the ashes of
Manmatha. The gods are trying to see that Manmatha is born again. We
should not allow that to happen. Before they try anything like that, we
should kill the Devatas.
C) But, if we go in our present form, we can not win. Let us therefore assume
the form of air and enter their bodies.
D) After having so entered their bodies, let us dry up their body fluids,
especially the semen.
E) If semen dries up, the strength of other tissues and organs will
automatically diminish. Then they will automatically be annihilated.
F) Let us torment the beings of all the three worlds by entering their bodies in
the form of air and by drying up their body fluids.

Hearing this, the entire army of the demons cheered with joy.

Without wasting much time, Bhandasura and his army of 1000 Akshouhinis
assumed the invisible form of air and entered the heaven.
First of all, they entered the minds of the angels and dried up their mental
faculties. Subsequently they entered the face of the angels, robbed them of their beauty
and made them ugly looking. All the women and men in the heaven became impotent and sterile. Not only that, their love for one another was also lost. They lost enthusiasm to
do anything. Even the plants and animals suffered the same fate. Vishukra, along with his troupes entered Bhooloka (earth) and meted out the
same treatment to the beings there. People on the planet earth stopped smiling. They lost all happiness. No one had
any respect for another. No one thought of helping the other. They lost interest in
their activities. The situation was stone-like, devoid of any life and feelings. Vishanga, along with his troupes entered Rasaatala (one of the seven nether worlds). He created similar havoc there also.In the Naga Loka (land of serpents) everyone became afflicted with grief for no
apparent reason. Everyone started hating everyone else. Everyone became drained of energy and potency.
Rasa, the fluid principle is the basis for the accomplishment of the four-fold aims of life (Purusharthas). Let us see how.
A. Rasa itself is the form of Paramatma, the Almighty.
B. From Rasa are created Shukla (sperm) and Shonita (ovum). These two are
collectively called as Veerya.
C. From Veerya comes Kanti (radiance), Utsaaha (enthusiasm), Ullasa
(happiness), Dharma (righteousness), Daya (compassion), Preeti (love),
Buddhi (intellectual capabilities), Vikasa (development), Parakrama (valour)
Shastra Vijnana (scientific knowledge), Kala Asakti (interest in arts),
Soundarya Drishti (proper concept of beauty) etc.
D. In plants, the Rasa enhances the fire energy, which is hidden in them. Only
when the fire energy is harnessed, the plants can branch out and bear
flowers and fruits. Because of this fire principle, the dried logs catch fire
easily and burn.
E. The Vedas have declared that beings can experience happiness only if Rasa
is present.
F. Rasa is nothing but Prana (vital energy).
G. Having known all these secrets, Bhandasura devised the plan of entering
the bodies of all beings in the form of air and drying them up.

Vasanta, the close friend and associate of Manmatha observed this immediately

and consoled Rati (Manmatha’s wife). He said “Even the sun, the moon and the stars have lost their brilliance. Even Goddess Parvati seems to have become dull and has engaged in Tapas. Therefore, the day when your dead husband will come to life again is not very far. That day will come very soon. So, stop grieving.”On hearing this, Rati Devi prepared to undertake penance. In the heaven, all the Devatas including Brahma, could not comprehend what was going on and what had caused the situation. Not knowing the remedy for their
hardship, they approached Lord Sri Hari.When they finally reached the abode of Lord Sri Hari, they saw that even He
was sitting still with his eyes closed. It appeared as though He was merged in the
bliss of Sushupti. After the angels praised His glory for a long time, Lord Sri Hari
slowly opened His eyes. “What is this? Why are you all looking drained of your energies?” asked Lord Sri
Hari. He called everyone by their names and said :

A. Your present condition is due to the invisible foul play of Bhandasura.
B. Even I have lost the affinity for Goddess Lakshmi. What to say about other
lesser beings?
C. Myself, Brahma and Rudra are Karana Purushas (causal beings for the
manifest creation). Even then, because we are also inhabiting this creation,
even we can not escape the torture of Bhandasura.
D. There is however one Almighty God who is beyond this manifest
Brahmanda. He is called Maha Shambhu. Parashakti is constantly in His
Company.
E. He is devoid of form. He is not dependent on anything. He has no
modifications. He is greater than the greatest. He is the ultimate.
F. He is not influenced by the foul play of Bhandasura, who is born from the
ashes of Manmatha.
G. He can rescue us from our difficulties. Therefore, let us all take refuge in
Him and praise Him. Follow me.
So saying, Sri Hari led all the angels to the brim of the Brahmanda (Universe).
There was a huge wall like fence there.
The angels summoned the celestial elephants to break the wall. After toiling
continuously for one year, a breach was formed in the wall.
After passing through the breach, they saw Chinmaya Akasha, which was
Niralamba (independent), Nirajnana (untainted) and which was devoid of the five
elements.
They all stood in that Chinmaya Akasha and sang the glory of Maha Shambhu,
who was of the form of Chidakasha.
Then Maha Shambhu appeared before them. He was dark like clouds. He had
two hands. He was holding a Shoola (spear) in one hand and a Kapala (skull) in the
other. He had three eyes.
Parashakti also appeared before them. She was holding Aksha Mala (rosary of
beads) and Pustaka (book) in Her hands. She was bright and cool like the moon.

( Continued...........)

Maha Yaga
The great Maha Shambhu smiled and said
A. I am aware why you have all come here.
B. Pralaya (destruction) is of three types. (i) Avaantara Pralaya (ii) Maha
Pralaya and (iii) Kama Pralaya.
C. I am the one who is responsible to rescue the world from Maha Pralaya.
Vishnu is the one who rescues from Aavantara Pralaya. It is Lalita
Parameshwari who rescues from Kama Pralaya.
D. These three kinds of Pralaya take place in a cyclic pattern in every Kalpa.
Now, Kaamika Pralaya has taken place because of the destruction of Kama
and subsequently due to the actions of Bhandasura.
E. Only Lalita Devi can rescue from this situation. Parashakti alone can create
another Lalita Devi. Therefore, take shelter in her. Beg her to help you.
Hearing this, the Devatas did not know what to do. They again prayed to Maha
Shambhu to teach them the method of appeasing Parashakti.

Maha Shambhu explained :

A. This is called as Maha Yaga. (great fire sacrifice)
B. I am (assuming the form of Vayu) the Hota (the priest who makes the
offerings in a Homa) in this Yaga (fire sacrifice).
C. My Chidagni itself is the fire in this Yaga.
D. The last of the seven seas, i.e., Jala Samudra (Water Sea) has now dried
up. The huge pit so formed itself is the Homa Kunda (fire pit where Homa is
performed)
E. The remaining six great oceans constitute the six drops of ghee which is
used as offering.
F. Srishti (creation) is of five types (i) Manasa Srishti (ii) Jarayavee Srishti
(creation-taking place through the womb. E.g. Human beings), (iii) Anda
Srishti (creation taking place through eggs) (iv) Swedaja Srishti (creation
taking place through sweat) and (v)Udbhijja Srishti (creation taking place
by sprouting). These five Srishtis (creations) are the sacrifice animals in
this Maya Yaga.
G. Bhoomi (land), Parvata (mountains), Jala (water), Vayu (air) and Akasha
(space) these five are the substances used in this fire sacrifice. Agni
element (one of the five elements) being a part of my Chidagni can not be
a substance to be offered.
H. At the end of this great fire sacrifice, all of you (the performers of the Yaga)
should jump in to the Homa Kunda (fire pit). While doing so, you must
possess absolute devotion.
I. Then, Lalita Parameshwari will manifest.
J. She will be seated in a chariot called Chakra Raja Ratha.
K. She will create Parabrahma in the name of Kameshwara and will have Him
as Her consort.
L. This couple will re-create the entire universe, which will turn out to be more
beautiful than the previous creation.
M. Lalita Parameshwari will bring Manmatha back to life.
N. She will create four weapons, namely (i) Ikshu Dhanus – a bow of
sugarcane (Mano roopekshu kodanda – is one of the 1000 names of
Goddess Lalita)(ii) five Pushpa Banas – flower arrows (Pancha tanmatra
saayaka is one of the 1000 names), (iii) Paasha – noose (Raaga svaroopa
paashaadhyaa – is one of the 1000 names of Lalita) and (iv) Ankusha (a
hook, especially an elephant driver’s hook) (Krodha akaarankushojjvala is
one of the descriptions of Lalita)
O. With the help of these weapons, she will destroy Bhandasura.
P. She will bring Manmatha back to life.
Q. She will give you fresh bodies.
R. If you all agree, I will begin this great sacrifice myself.
The angels became very pleased and begged Maha Shambhu to be the Hota
and carry on the sacrifice. Parashakti and Maha Shambhu disappeared.
The angels also returned to their abode. After some time, Maha Shambhunatha, accompanied by Parashakti started
chanting the Lalita Maha Mantra and entered the Universe in the form of the sevenlayered
Vayu (air).
Parashakti assumed the form of His Kriya Shakti (energy of action).
With the help of Kriya Shakti, Vayu blew the Jala Samudra with all his energy.
The Jala Samudra (water ocean) became totally dry.
In the pit thus formed He kindled the Chidagni with the help of fire emanating
from the third eye. This Agni raged from the Patala (a region in the nether-world) to
the Brahma Loka.
He decorated the periphery of the Homa Kunda with the stars just as one
decorates a sacrificial fire pit with flowers.
After this, he performed the Yaga as ordained by the Vedas. He used the
Pralaya Meghas (clouds appearing during Pralaya), namely Pushkala and Aavartaka
as Srik and Sruva (the two spoons which are used to offer ghee in fire worship).
As the Homa progressed, the Chidagni emanating from it spread to vast area.
He then offered the first six oceans and then the five-fold creations to this Agni.
In the end, the gods too decorated themselves and sat on the Srik and Sruva,
ready to be offered to Agni. Maha Shambhunatha offered them to Agni.
After this, Maha Shambhunatha discarded his Vayu form and assumed his real
form. He then chanted 8 special mantras and performed 8 Homas.

* Manifestation of Sri Lalitha Devi *
At the end of the Homa, Lalita Devi came out of the Chidagni Homa Kunda,
seated on a special chariot called “Chakra Raja Ratha”. Therefore, we find the
descriptions such as
“Chidagnikunda sambhoota”
“Deva kaarya samudyataa” and
“Chakra Raja Rathaa Roodha Sarvaayudha Parishkritaa”
in Lalita Sahasranama.

The Sri Chakra Raja Ratha had the following dimensions:

A. Width 4 Yojanas (1 Yojana is approximately 9 miles)
B. Height 10 Yojanas
C. Parvas (landings) 9 in number
D. Chakras (wheels) – the four Vedas
E. Horses – the four-fold aims (Purusharthas)
F. Flag absolute bliss
G. The seat at the topmost landing is the Bindu Peetha.
H. Form : of the form of Meru Prastara.
I. The material that was used to make this was ‘Tejas’
The Lalita Parameshwari so manifested, created a male form from within
Herself. His name was Kameshwara.
By her power of will, she created 4 different weapons. They were (i)Ikshu
Dhanus (ii) Five arrows, (iii) Pasha (noose) and 4 Ankusha (a special hook). She held
all these weapons in her hands. We see the description – “Chaturbahu samanvitaa”
in the Lalita Sahasranama.
She was shining like the morning sun, with crimson color. (Udyad bhanu
sahasraabhaa is a description found in Lalita Sahasranama)
Her beauty was full in all aspects.(Sarvarunaanavadyangee sarvaabharana
bhooshitaa – Lalita Sahasranama)
She always appears as though she is 16 years of age. (Nityaa shodashikaa
roopaa is a description in Lalita Sahasranama). This description has two meanings.
One meaning is that she always appears as one who is sixteen years of age. The
other meaning is, there are 16 Nityaa Devis. She is of the form of these 16 Nityaa
Devis.
Maha Shambhunatha praised Her in many ways.

Order of Creation
She extended Herself in both male and female forms and continued the process
of creation.
A. From the left eye, which was of the nature of Soma (moon) came Brahma
and Lakshmi Devi.
B. From the right eye, which was of the nature of Soorya (sun) came Vishnu
and Parvati.
C. From the third eye, which was of the nature of Agni (fire), came Rudra and
Sarasvati.
D. Lakshmi & Vishnu, Shiva & Parvati and Brahma & Sarasvati became
couples.
E. Lalita Devi directed them to continue the process of Creation.
She herself continued to create certain things.
(i) From her long hair she created darkness.
(ii) From her eyes, she created the sun, the moon and the fire.
(iii) From the pendent hanging in front of her forehead came the stars
(iv) From the chain above her forehead came the nine planets.
(v) From the eyebrows, she created the penal code.
(vi) From her breath, she created the Vedas.
(vii) From her speech, she created poetry and plays.
(viii) From her chin she created the Vedangas.
(ix) From the three lines in her neck, she created various Shaastras.
(x) From her breasts, she created mountains.
(xi) From her mind, she created the power of bliss.
(xii) From her fingernails, she created the 10 incarnations of Vishnu.
(xiii) From her palms, she created the Sandhyas.
(xiv) She created other things as narrated in the Purusha Sookta.
(xv) From her heart, she created Baalaa Devi.
(xvi) From her intellect, she created Shyamala Devi.
(xvii) From her ego, she created Vaaraahi Devi.
(xviii) From her smile, she created Vighneshwara.
(xix) From the Ankusha (a special hook), she created Sampatkaree Devi.
(xx) Form the noose, she created Ashwaa Roodha Devi.
(xxi) From her cheeks, she created Nakuleshvari Devi.
(xxii) From her Kundalini Shakti, she created Gayatri.
(xxiii) From the eight wheels of the Chakra Raja chariot, she created 8
Devatas.
(xxiv) In the 9th landing, in the Bindu Peetha, she herself was seated.
(xxv) Afterwards, she created the Devatas who would protect the Chakra Raja
chariot.
After having thus completed the great creation, Lalita Devi requested her
consort, Shiva Kama Sundara to created the Shiva Chakra.
He immediately brought out a big humming sound and from this, the Shiva
Chakra Devatas numbering 23 manifested.
Later, Lalita Devi crowned Shyamala Devi as the prime minister. Therefore
Shyamala Devi is called Mantrini Devi.
Lalita Devi handed over the finger ring to Mantrini Devi.
She made Vaartaalee Devi the chief of her army. Therefore Vaartaalee Devi is
also called as Dandanaathaa Devi. She is also called as Vaaraahee Devi.
Lalita Devi created a mace (a weapon) from her eye brows and gave it to
Dandanathaa Devi.
After this, Lalita Devi created two chariots from her chariot and gave them to
Mantrini Devi and Dandanatha Devi.
Mantini Devi’s chariot is called “Geya Chakra Ratha”. This chariot used to make
musical sounds whenever it moved.
Dandanatha Devi’s chariot is called “Kiri Chakra Ratha”
Later, Lalita Devi hummed with rage. From this hum, 64000000 Yoginis were
born. Another 64000000 Bhairavas were also born. Innumerable Shakti Senas
(armies) were also created by her hum.

Devi vijaya yatra (Devi’s victory procession)

Later Lalita devi, making the noise emanating from the four oceans as the
drums and accompanied with several other instruments proceeded for the battle
against Bhandasura.
From Lalitha devi’s Ankusham (=spear), ‘Sampat karidevi’, came out along
with crores and crores of elephants and started following Lalita devi (sampatkari
samarudha sindhura vraja sevita ) .
Sampatkari Devi was sitting on the elephant named ‘Ranakolahalam’ (=battle
bustle, battle uproar).
From Lalita devi’s Pasham (=whip) arose Ashwaroodha devi along with a big
army of horses and was moving in front of Lalita devi.
(ashwarudhadhishtishtaswa koti kotibhiravruta) .
The horse carrying Ashwaroodha devi was named ‘Aparajitam’ (=one which
cannot be defeated).
Later , commander of the army Dandanatha devi played the drums to start
marching.
As the march started Dandanatha devi got down from her chariot and sat down
on the lion. The lion is named ‘Vajraghosham’ (kirichakra ratha rudha damdanadha
puraskruta)
All her soldiers started praising her by twelve different names.
(Panchami dandanatha cha sakjeta samayeshwari
tatha samaya sakjeta varahi potrini tatha
vartali cha maha sena pyajna chakreshwari tatha
arighni cheti samproktam nama dwadasakam yune)
Later Mantrini devi played the drums of marching. Her soldiers were mainly
decorated sensuously. They were playing veenas and singing.
Mantrini devi was moving in her Geyachakra ratha (circle of army formed by
singers) [geyachakra ratha rudha mantrini parisevita]
She was being praised by sixteen names.
Sangeeta yogini shyama shyamala mantra nayika
mantrini sachiveshani pradhaneshi shukapriya
vina vati vainiki cha mudrini priyakapriya
nipapriya kadambeshi kadamba vanavasini
sadamada cha namani shodashaitaini kumbhaja
One who recites this strotra can conquer all the three worlds.

Then, from the bird in the hands of Mantrini devi, appeared god Dhanurveda
with a spectacular bow in his hand and said “Mother! this bow is called chitrajeevam.
This quiver is akshaya (=one which is unlimited, fills up spontaneously).Please
accept them for demolishing the demons.”
Now Lalita devi started moving with sugarcane, bow, arrows, spear and whip in
the ‘srichakraraja’chariot.
She is being praised with 25 names
simhasanesi lalitha maharajni varankusha
sundari chakranatha cha samrajni chakrini ratha
chakreshwari mahadevi kameshi parameshwari
kamaraja priyakamakotika chakravartini
mahavidya shivananga vallabha sarvapatala
kulanatha amnayanatha sarvamnaya nivasini
shringara nayika cheti pancha vimshati namabhih
One who recites this stotra attains ashtasiddhi (8 spiritual accomplishments)
Bandasuravadhodyukta shaktisena samanvita in Lalita sahasranama stotram
means one who is ready with her army (shaktisena) to annihilate Bhandasura.
Bhanda’s war preparation :
While Lalita devi was proceeding for the war, many bad omens were observed
in Bhanda’s ‘Shunyaka’ town.
Bhandasura called upon an urgent meeting along with his brothers Vishukra
and Vishanga to assess and evaluate the situation.
In the meeting vishukra spoke thus
a.) All gods have burnt themselves by jumping into fire, out of despair
b.)From that fire arose mother goddess, who rejuvenated all gods
c.) She is coming for a war with us, along with an army of women
d.)Those gods are trying to cut stones using tender leaves
e.)Even then we should not neglect that woman. We must send our army
immediately Vishanga told
a.) Any work should only be done after properly thinking about it.
b.)First we must send spies and see how powerful their army is.
c.) We must not under estimate the enemies army.
d.) In the past Hiranyakashipa was killed by an animal.
e.)Sumbha and Nishumbha were killed by a woman.
f.) So, we must get more information about her
g.)Who is she ? Who is supporting or protecting her?
What does she want? All these queries should be answered
Listening to this Bhandasura shuddered the proposal with a sarcastic grin. Even
if all the gods are behind her, we have nothing to fear. Do not entertain such useless
thoughts and spoil your mind
Immediately Bhandasura ordered ‘Kutilaksha’, Commander-in-chief of his army,
to protect the fort
He ordered the priests and ministers to perform abhichara(black magic) homa
He ordered Lalita to be dragged to him holding her hair
Now, the demons played the war drums. Kutilaksha sent the first batch of army
with demon Durmada as the commander
At Shunyapura Kutilaksha made arrangements for protection -
Eastern entry _ Tala jangha, Southern entry - Tala bhuja, Western entry -- Tala
griva, Northern entry - Tala ketu were placed along with 10 akshohini army each.
For each corner of the town another 10 akshohini was allocated for protection
Shakti senas’s uproar
Durmada was confronted by Sampatkaridevi and her army of elephants (who
arose from Lalita devi’s spear)
Realising that his army was being defeated Durmada himself came for the war
seated on a camel
Sampatkari devi who was seated on ‘Ranakolahala’ her elephant, faced him.
In the ferocious battle Durmada was able to destroy one gem from the crown of
Sampatkari devi.
Angry with this, Sampatkari devi killed Durmada with her arrows which pierced
his heart
With that the remaining demons fled back to their town out of fear.
Listening to this Bhandasura was very angry and sent Durmada’s elder brother
Kurunda for battle. He is an expert in maya yuddha(war using mystical powers)
Full of vengeance he attacked Sampatkari devi
In the meanwhile Ashwarudha devi who had taken birth from Lalita devi’s whip
came forward and pleaded Sampatkari devi to give her a chance to fight with this
demon.
Now Ashwarudha devi along with her army pounced upon Kurunda
Ashwarudha devi mounted on ‘Aparajita’ was herself leading the army. In that
battle she killed Kurunda by piercing his chest with her spear. Remaining demons
fled for their lives.
Bhanda became furious. He sent a huge army this time (100 akshohini) along
with 5 commanders.
They materialised serpent gods by name ‘Ranashambari’ which attacked
shaktisena. The demons had previously defeated gods using these mystic powers.

Crores and crores of serpents, which arose from the serpent gods, started
torturing the shaktisena.
They were taking birth again and again even after being killed a number of
times.
Then Nakuli devi mounted on garuda came to the battlefield. From her mouth
came out 32 crores of mongooses. These mongooses started gobbling up all the
newborn serpents immediately after birth.
Then Nakulidevi killed Ranashambari with Garudastram
All the five commanders now attacked Nakuli devi
Nakuli devi’s mongoose army attacked them from the rear
In that ferocious battle Nakuli devi who was mounted on Garuda was making
aerial strikes on the demons who were not able to catch her. She killed the five
commanders by chopping of their heads
Bhanda after listening to this sent Valahaka and other seven commanders along
with 300 akshohini army.
These seven demons are sons of demoness named Kikasa.In the past they
obtained a boon from sun god that- at the time of war sun would reside in their
eyes.
As soon as these demons entered the battlefield the shaktisena army started
becoming blindfolded and incapacitated unable to face the brilliance of their eyes.
Demons started becoming ferocious.
Immediately the bodyguard of Dandanatha devi –named Tiraskarinika devi,
entered the battle field mounted on an aeroplane named ‘Tamoliptam’.
At the order of Damdanatha devi she discharged an arrow named ‘Andhanastra’,
and the seven commanders were forced to close their eyes. Now shakti sena started
pouncing back.
Keeping Tiraskarinika devi in the forefront, other gods killed the seven
commanders.
With this blow Bhandasura lost his senses. He called upon his two brothers for a
discussion.

(Cont.....)

In that meeting it was decided that Vishanga would attack devi’s army from its
rear side in a treacherous way (This is called Parshti grahamu). This decision was
taken because they got information from their spies that Lalita devi was having less
army and protection at her rear end and it was easier for them to approach Lalita
devi directly and attack her, if they approached from the rear.
After the first day’s war, at dusk, Vishanga with a small army proceeded to the
rear of Lalita devi’s army noiselessly without any drums
By then Lalita devi’s army was moving westward. Vishanga along with his army
moved north wards and then turned to reach eastern side
He was able to see Srichakraraja chariot very near to him. Lalita devi was
looking forward observing the movement of the army. She was not having much
army close to her
Taking this opportunity Vishanga attacked devi’s chariot from the rear, all of a
sudden.
Anima and other gods who were present there were taken back at this sudden
attack but quickly recovered themselves and prepared for a counter fight.
Exactly at the same time Kutilaksha along with ten akshohini army attacked
from the front side
Seeing attack from both ends Lalita devi was a little angry. In the mean while,
struck by an arrow from Vishanga, the fan present in Lalita devi’s hand fell down and
broke
Seeing this Tithidevatas got very angry. They went and requested Lalita devi
that Vahnivasini and Jwalamalini nitya devas have property and capacity of self
illumination. If they glow then the demons who are in the dark will all become
visible.
With the permission of Lalita devi, Vahnivasini and Jwalamalini devis started
glowing like fireballs. All the demons who were hiding in darkness now became
visible.
Now the 16 nitya devi’s became outrageous and attacked Vishanga’s army. All
the commanders in the demons army died.
Wounded all over the body Vishanga fled for his life shamelessly. Even
Kutilaksha who attacked from the front also fled. (In Lalita sahasranama -
nityaparakrama topa nirikshana samatsuka =seeing the valour of nityadevatas,Lalita devi was very pleased)
Mantrini devi and Dandanatha devi felt unhappy about this unprecedented
attack in the night They felt very sorry that their arrangements of protection were
not up to the mark.
Agni prakara (compound wall made of fire)
Both of them went to Lalita devi, expressed sorry for what had happened and
made arrangements for protection.
At the instance of Lalita devi,Jwalamalini devi made a compound wall of fire
around the devi’s army The fire wall is 100 yojana wide and 30 yojana tall.
(1 yojana is approximately 8 miles).
At the southern end of fire wall is a 1 yojana long entry, to enable devi’s army
go out and fight because Shunyapuram is facing this end.(L.S.N—jwalamalini
kashipta vahniprakaramadhyaga)
Stambhini devi a member of Dandanatha devi family along with 20 akshohini
senas was protecting this entry point. She is also called Vighna devi.
By then it was dawn.
Knowing all this news Bhandasura was in despair and started thinking what to
do.
This time he sent all his 30 sons for the war
After listening to this news Lalita devi’s daughter Baladevi wanted to fight
these demons herself.
Baladevi is the only daughter of Lalita devi .She resembles Lalita devi very
much but is always only 9 years old .She stays permanently with her mother only.
Baladevi approached her mother and requested for permission to fight in the
battlefield
At the outset Lalita devi denied but looking at the courage and will power
exhibited by Bala devi she ultimately gave permission.
Seeing Bala devi coming for the war Mantrini and Dandanayaka were
astonished , they stood as her body guards.
Now Baladevi started ferocious fighting with Bhanda’s sons. Every one was
surprised at her valour
Whole of the second day Baladevi fought. That evening she shot 30 arrows at a
time and killed 30 sons of Bhanda.
Lalita devi was very happy and she embraced her daughter (L.S.N---
Bhandaputravadhodyukta bala vikrama nandita)
Bhanda was grief stricken. Desperately he himself started off for the war
Vishukra and Vishanga pacified Bandasura
Vighnayentra nashnam (Destruction of the mystic symbol of obstacles)
Now Bhanda sent Vishukra to the warfront.
In the darkness Vishukra approached the Vahniprakara (firewall) –on a flat
stone he drew a mystic symbol and performed some black magic.
He then threw that mystic symbol forcefully. It fell in the firewall at some point.
With the affect of that yantra (mystic symbol) laziness crept into the minds of
the devi’s army
(a.) Some started arguing that war itself was wrong.
(b.) Some said, “Why should we fight on behalf of the gods”.
(c.) Some said, “Who is this Lalita devi? Who has given her superior ship over us?”
(d.) Some said, “If all of us together decline not to fight what can Lalita devi do?”
(e.) All of them fell into sleep of ignorance.
After midnight Vishukra along with 30 akshohini sena surrounded the fire
barrier.
Even then none of the members of shaktisena moved under the influence of the
ignorance caused by the Vighna yentra
However, Vighnayentra was not able to affect Mantrini and Dandanatha. But
they were both very sad worried seeing the state of their army.
Not knowing what to do they went and enquired Lalita devi.
Then Lalita devi looked at the Kameshwara’s face and passed a gentle smile.
From her smile Ganapathi took birth.
He immediately searched in the firewall and noticed the ‘vighnayentra shila’ at
one place. He broke the shila into pieces and powder with his tooth.
(kameshwaramukhaloka kalpita sri ganeshwara
Mahaganesha nirbhinna vighnayentra praharsita)
With that shaktisena’s ignorance and sleep was dispelled, they immediately got
ready for the war.
Now Vighneswara along with this army came out of the fire barrier and started
fighting with Vishukra.

(Continued.......)

Vishukra sent Gajasura to attack him but soon Gajasura was slayed. Seeing this
Vishukra ran away.
Annihilation of Vishukra and Vishanga
After discussing with Bhandasura, Vishukra came back to war, along with his
brother Vishanga and son- in –law. With this the third day war had started.
Mantrini and Dandanatha both started to fight simultaneously
In the front was Dandanatha devi mounted on her kirichakra ratha with her
plough weapon (halayudha) swirling it rapidly.
Behind her was Mantrini devi mounted on Geyachakra ratha as an archer with
bow and arrows
Dandanatha devi attacked Vishunga.
Mantrini devi confronted Vishukra.
Ashwarudha, Sampatkari and others attacked the son- in-law of the demons
who had come .
The army of the demons started slackening. Noticing this Vishukra discharged
Trushastram(weapon which produces thirst). Shaktisena’s army started to
experience intense thirst.
Then Dandanatha devi invited ‘Madyasamudra’(=ocean of liquor) devata from
her kirichakra and quenched their thirst.
Madyasamudra deva showered liquor rains. With that the army quenched their
thirst and rejuvenated.
By sunset most of the demons including Bhanda’s son-in-law had died.
Then Shyamala devi (Mantrini) fought with Vishukra and killed him with
‘Brahmashironamakastra’ (a powerful weapon named brahmashira)
Dandanatha devi (Potrini) killed Vishanga with her plough weapon and pestle.
However in Lalita sahasranama it is mentioned that Vishukra was killed by Varahi
and Vishanga was killed by Mantrini—
Mantrinyamba virachita vishanga vadhatoshita
Vishukra prana harana varahiveryanandita
By then it was past midnight.
Only Kutilaksha the commander in chief was left over to console Bhandasura
Bhanda along with Kutilaksha started towards the battlefield
2185 akshohini army along with 40 commanders followed him
A). He boarded a chariot named ‘Aabhilamu’(=dreadful).It is dragged by 1000
lions instead of horses.
B). His sword is named Yatana (= torture in hell)
Noticing this Lalita devi herself started moving in her Srichakra raja ratha
towards the warfront
Behind her was Mantrini in Geyachakra ratha followed by Potrini in kirichakra
ratha.
Other shakti deities followed her in crores.
In the usage of sastra’s (mystic weapons) and pratyastra (corresponding
neutralising weapons), none of them were drawn aback
(LSN—Bhandasurendra nirmukta shastra pratyastra varshini)
Now Bandasura by his mystical powers regenerated Madhukaitabha, Raktabija
and other old demons
Then Lalita devi made a violent frenzied laughter –Durga devi and other deities
described in chandisaptashati were born and slayed these demons
Now Bhanda generated Somaka and other demons
Then Lalita devi generated the 10 incarnations of Vishnu from the finger tips of
her hands (LSN – Karanguli nakhotpanna narayana dasakrutih)
Sun was about to set. Lalita devi decided not to delay any more. She then
discharged Narayana astra and Pashupata astra and destroyed the demons and their
commanders who were all turned down into ashes
(LSN—Mahapashupatastragni nirdagdhasura sainyaka)
Now Bhandasura was the only one left
Lalita devi discharged the Mahakameshawarastra and annihilated Bhandasura .
Immediately his shunyaka town got burnt down.
(LSN—Kameshwarastra nirdagdha sabhandasura sunyaka)
Gods proclaimed victory of Lalita devi on the drums and they showered flowers,
lighted camphor blazes and shouted victory slogans

Kama sanjeevanam(rebirth of kama)

Brahma, Vishnu, Indra and other gods praised Lalita devi’s grandeur
(LSN—Brahmopendra mahendradi deva samstuta vaibhava)
In that praise they proclaimed thus-
A.) Mother! Bhanda is dead but his friend Taraka is still alive to trouble us.
B.) To annihilate him Shiva must have a son
C.) We were trying for the same but in the mean while Manmadha (god of love) died
and all these events happened
D.) Therefore kindly give rebirth to Manmadha and perform the marriage of Shiva
and Parvathi.
Lalita devi smiled compassionately and looked at Kameshwara. From her looks
Manmadha took rebirth .
Rati and Manmadha prostrated to the mother goddess and praised her.
The mother goddess blessed them and instructed-
A.) Manmadha! Now you need not fear
B.) Go once again and cast your magical arrow on Shiva
C.) Shiva will loose to you and will marry Parvathi
D.) With my blessings Shiva will do you no harm.
E.) From now on you can enter every ones body and cause aesthetic/ sensuous
pleasures to them.
F.) Protect my devotees
At the instructions of mother goddess Manmadha with his family went and cast
his magic charm on Shiva. This time Shiva left renunciation and started searching
vehemently for parvathi
Then Manmadha cast magical arrows on Parvati also
Shiva was very pleased with parvathi’s penance. He appeared before her,
granted a boon and married her.
Kumaraswamy was born to Shiva and Parvathi .He became the commander of
god’s army and annihilated Tarakasura. He then married Devasena devi, the
daughter of Indra.
After helping all the gods Manmadha left to Sripura to serve goddess Lalita devi.
Sripura varnanam(description of Sripura )
What does Sripura mean?
After the annihilation of Bhandasura, Trimurtis called upon the cosmic architect
Viswakarma and the architect of demons Maya , and instructed them to construct 16
palaces in 16 kshetras (sacred places) for the residence of Lalita &Shiva Kameswara

Meru and other gigantic mountains (9) Jalasamudra and other oceans (7) –total 16
Kshetras. The palatial buildings of mother goddess located in these kshetras are
called Sripura
Wherever a Sripura is located , its dimensions are like this.
A.)Mount Meru has 4 peaks
One on the eastern side, one on north west, one on the south west
Each is 100 yojanas tall and 100 yojanas wide these are trimurtis worlds
In the center of these is the fourth, which is 400 yojanas tall and 400 yojanas wide
B.) Sripura is on the Middle peak
Sripura has got metallic compound walls 7 in number they are square shaped. Each
wall is separated from the next one by one a distance of 7 yojanas.
1. Kalayasa (iron)wall – The perimeter of this wall is 16 thousand yojanas
2. Kansya (bronze)wall—Between these two is the first chamber. Several trees and
gardens are located here. Mahakali and Mahakala are the gate keepers
here.Kalachakra is their throne.
3. Tamra(copper)wall—Here is a forest of Kalpavruksha (wish granting tree).This is
also called as Kalpavatica. This is the second chamber.Vasanta(spring) is its
protector .Madhusri and Madhavasri are his consorts.
4. Seesa(lead)wall—Here is a forest of santana trees(progeny granting).This is the
third chamber Grishma(summer) is the ruler . Shukrasri and Shuchisri are his
consorts.
5. Aarkuta (brass)wall—This is the fourth chamber. Here is a forest of Hari chandana
vruksha(yellow fragrant sandal wood).The ruler is varsharutu(rainy
season).Nabhasri and Nabhasyasri are his consorts.
6. Panchaloha(five metal) wall—In this fifth chamber is a garden of mandara trees
(Calotropis gigantea) .Sharadrutu is the protector . Ishasri and Urjasri are his
consorts.
7. Raupya(silver)wall –Sixth chamber .Parijata tree forest .Hemantarutu is the
protector. Sahasri and Sahasyasri are his consorts.
8. Hema(gold)wall—Seventh chamber. Kadamba forest. Sisira (winter)is the
protector. Tavasri and Tavasyasri are his consorts. This is where Mantrini devi
resides in a temple.She has one more quarter very close to that of Lalita devi in
Mahapadmatavi(forest of lotuses).When she is on duty she stays in that quarter
.In this seventh chamber near Mantrini’s residence Matanga kanyas are
constantly singing and dancing.

Matanga Kanyaka Charitra:
In the olden days a sage named Matanga used to expand the creation by
virtue of the power of his penance.
His son Matanga was a great saint and practicant of penance. He was friend
of Himavanta.
Once Himavanta started boasting saying that he was the father of Gauri devi.
With that Matanga felt humiliated and started great penance for Mudrinidevi
(Mudrinidevi is none other than Mantrini devi who had received a ring from Lalita
devi .She is also called Shyamala devi

She was very happy with his penance and gave boon that she herself would
be born as a daughter to him.
A few days later Shyamaladevi appeared in the dream of Siddhamati
devi(consort of Matanga).Shyamaladevi gave her a flower from the bunch
decorating the formers ear.
Very soon she had a female child who was named Laghushyama as she was
born in a very short duration (Laghu = short, small). She was also called Matangi,
Matanga Kanyaka. With her power she generated crores of virgins, who stay near
Mantrini devi’s house and keep singing her praises all the time.

The Compounds of Precious Stones Related to Philosophy:

Inside the golden compound, there are eleven prakaras (compounds) one inside the
other and inside them there are six more compounds described hereunder. All these
compounds are perfect squares. Here also, the distance between one compound and
the other is Seven yojanas. (yojana is a measurement of length of about nine miles).
1. Pushyaraga Prakara (The compound of Topaz)
The area between the golden compound and this one is called Pushyaraga area.
Here male and female Siddhas reside. Those who were born earlier in the race of
Siddha and who obtained attainment (Siddhi) in their spiritual practices worshipping
the Divine Mother, stay here as Siddhas and gladly continue to worship Her.
2. Padmaraga Prakara (The compound of Ruby)
Here celestials of the species called Caranas reside. Those who were born in Carana
world and worshipped the Mother are reborn here, after attaining Her grace.
3. Gomedhika Prakara (The compound of Agate)
In this arena, Kala Sankarshani devi resides. She is worshipped b the Yoginis and
Bhairavas.
4. Vajra Prakara (The compound of diamonds)
Apsaras and Gandharvas (divine dancers and singers) stay in this arena. They are
ever engaged in the Japa (repetition) of the Divine Mother’s names and stay here
happily. The river Vajranadi flows in this place. The Goddess Vajreswari stays here.
When the demon Bhanda swallowed the diamond weapon (Vajra Ayudha) of Indra,
he could get back his weapon by worshipping the Mother here.
5. Vaidurya Prakara (The compound of Cat’s eye)
Those of the netherworld, who attained spiritual achievements by worshipping the
Mother, stay in this arena. The emperor Bali also resides here.
6. Indraneela Prakara (The compound of Sapphire)
Those people who were born on the earth stay in this area enjoying pleasures, after
their worship of Lalita during their lifetime there. Soon after the effect of their punya
(merit) is exhausted, they will be born again as human beings on the earth. By the
effect of their previous pious deeds, they again worship the Mother and return once
more to this pious place. Due to the blue colour of these precious stones, the dark
effect of likes and dislikes persists in them. Hence they are born again and again.
Those who can control their senses in toto merge in the ultimate state of salvation,
i.e., in the Divine Mother. They do not have rebirth.
7. Mukta Prakara (The compound of pearls)
Several rivers named Tamraparni, Mahaparni, Sadamukta, Sadodaka etc. flow in this
area. The celestials who worshipped the Mother and chanted her Mantras stay here.
The cities of the rulers of the eight sides exist here. (The eight sides are East, West,
North, South, North-East, South-East, North-West and South-West).
8. Marakata Prakara (The compound of Emerald)
The abode of the Goddess Dandanatha also called Varahi exists in this area. There is
a garden
of golden palm-trees here. The Goddess Unmattabhairavi, Svapnesvari, Tiraskarini
devi, Kirapada
devi reside in this area. When Goddess Dandanatha is on duty, she stays in a
separate palace in the forest of Mahapadma (Big lotuses).
9. Vidruma Prakara (The compound of Coral)
In this area, Brahma along with sages like Marica stays and worship the Divine
Mother.
10. Manikya Prakara (The compound of Gem)
This area is also called the hall of gems i.e. Manikya Mantapa. Her Vishnu worships
the Mother.
11. Navaratna Prakara (The compound of several precious stones)
In this area exists a huge hall with thousands of pillars. Here Siva along with his
attendants constantly supervises the activities being done as per the orders of Lalita
Devi.
12. Manomaya Prakara (The compound of mind)
The entire area is a big well of Amruta (nectar). The Goddess Tara resides here.
Along with her attendants, she rows a big boat and takes her devotees inside along
with Her.
13. Buddhi Prakara (The compound of the intellect)
The entire area is a big well of Bliss. The captain of the ship in this arena is the
Goddess Varuni. She is also called as Sudha malini and Amruteswari.
14. Ahankara Prakara (The compound of Egoism)
The entire area is a big well of criticism and nectar; The water of this well is nothing
else than the nectar in the nerve Sushumna (The central nerve between Ida and
Pingala nerves of one’s backbone. The captain of the ship in this area is the Goddess
Kurukulla.
15. Suryabimba Prakara (The compound of the Sun)
Here brilliance comparable to the light of the rising Sun exists always. Plenty of
flowers called Kuruvinda are abundant here. The Sun performed penance here and
obtained brilliance. Martanda Bhairava stays here. He has a very luminous form.
His three wives are Mahaprakasa Sakti, Cakshusmati Sakti and Chayada Sakti (The
powers of great brilliance, eyesight and shade.
16. Candrabimba Prakasa (The compound of the Moon)
Moonshine ever exists here. The Moon performed penance here and attained
illumination. Somanatha, the Lord of the stars is the chief deity of this area.
17. Srungara Prakara (The compound of eroticism)
This area is full of waters of eroticism. Here Manmatha, (Cupid-the god of love)
does Japa of the Mother’s sacred names, rowing in a boat. Only those who are of
pure mind by nature can cross this area.
18. Cintamani Gruha (The abode of Gems)
This is the great palace of Sricakra. It is called Mahapadmatavi also. Around the
mansion, hundreds of thousands of lotus like palaces exist.
a) To the east of this place, there is a large vessel with a diameter of one
Yojana. This is called Arghya Patra (the vessel used to wash hands)
b) At the south-east corner exists Cidagnikunda (The fire pit of knowledge)
c) At the south-west exists Sricakra Ratha, the vehicle of Sricakra.
d) At the north-west exists the Geya Cakra Ratha of the Goddess Mantrini.
e) At the north-east exists the Kiri Cakra Ratha of the Goddess Dandini.
f) In between the East and the south-east exists Mantrini gruha – the abode
of the Goddess Mantrini.
g) In between the East and the north-east exists Dandini gruha – the abode of
the Goddess Dandini

The description of the Palace of Cintamani

1. This palace is centrally located in Sripattana – The City of Sri (Wealth).
2. The walls of the palace are built with Cintamani gems.
3. The roof also is madeof the same stones of Cintamani.
4. The palace has three towers by names Iccha Sikhara, Kriya Sikhara and
Jnana Sikhara i.e. the towers of desire, action and knowledge.
5. The palace has four doors. They are called Amnaya devas. They are
Purva, Dakshina, Pascima and Uttara – Amnaya devas (on the East, South,
West and North sides). Amnaya means Veda.
6. Bindu Peetha (central seat of power) is centrally located in the palace.
7. This seat of power (peetha) has steps on four sides.
8. The entire structure described above is of the design of Sricakra.
9. All the male and female deities of Sricakra reside here.
10. The Bindu Peetha is called Sri Peetha, Maha Peetha, Vidya Peetha and
Ananda Peetha also (The seat of prosperity, greatness, knowledge and
bliss)
11. On the pedastal exists the cot of the five brahmas
12. The cot has four legs namely Brahma, Vishnu, Mahesana and Iswara.
These four deities have attained female form by worshipping Mother.
13. The plank resting on these legs is Sadasiva
14. To the east of this cot, there are 36 steps, representing the 36 aspects
of spiritualism
15. There is a foot-rest in front of the cot.
16. There is swan like bed on the cot.
17. On the cot, there are two pillows for the head and one pillow for the legs
18. A light red blanket is spread on the bed.
36
19. The Lord Kameswara sits on the cot facing the East. He is ever in the
form of a sixteen year old boy. He has four hands and three eyes. He
wears erotic costumes.
20. On His lap sits Lalita Devi. She is ever in the form of a sixteen year old
girl. Her complexion is rosy. She wears erotic costumes. She has four
hands. Her decoration is the moon.
21. As she pleases Sadasiva, she is called Lalita (Lalana – to please)
Siva Kameswarankastha Siva Svadheena Vallabha
Sumeru madhya srungastha Srimannagara nayika
Cintamani gruhantastha
Panca Brahmasana sthita
Maha Padmatavi samstha
Kadamba vana vasini
Sudha sagara madhyastha
Kamakshi Kamadayini
The above names in the Lalita Sahasra nama indicate the Srinaara, the
Cintamani gruha (the palace of the Mother) and her other divine aspects
described above.
The Mother incarnated to kill the demon Bhanda.
She is the Supreme Mother as per these divine names, will achieve everything auspicious.

SAPTA MATRUKAS-DIVINE MOTHERS

2010-07-04T09:39:00.002+05:30

Matrikas (Sanskrit: mātṝkās, मातृका, lit. "The Mothers"), also called Matara (Sanskrit: mātaraḥ, मातरः) and Matris (mātṛs, मातृ), are a group of Hindu goddesses who are always depicted together. Since they are usually depicted as a heptad, they are called Saptamatrikas (Sanskrit: saptamātṝkās, सप्तमातृका, "seven mothers"): Brahmani, Vaishnavi, Maheshvari, Indrani, Kaumari, Varahi and Chamunda or Narasimhi. However, they may sometimes be eight (Ashtamatrikas: ashtamātṝkās, अष्टमातृका, "eight mothers").
The Matrikas assume paramount significance in the goddess-oriented sect of Hinduism, Tantrism. In Shaktism, they are "described as assisting the great Shakta Devi (goddess) in her fight with demons." Some scholars consider them Shaiva goddesses. They are also connected with the worship of warrior god Skanda.
The iconographical features of the Matrikas have been described in Hindu scriptures such as Puranas and Agamas and the epic Mahabharata. Puranas like Varaha Purana, Agni Purana, Matsya Purana, Vishnudharmottara Purana and Devi Mahatmya, a part of Markandeya Purana as well as Agamas such as Amsumadbhedagama, Surabhedagama, Purvakarnagama and Rupamandana describe the Matrikas.
The Ashta-Matrika or Ashta-Matara as described in Devi Mahatmya is given below.

Brahmi (Sanskrit: ब्राह्मि, Brāhmī) or Brahmani (Sanskrit: ब्रह्माणी, Brahmâṇī) is the Shakti (power) of the creator god Brahma. She is depicted yellow in colour and with four heads. She may be depicted with four or six arms. Like Brahma, she holds a rosary or noose and kamandalu (water pot) or lotus stalk or a book or bell and is seated on a Hamsa (identified with a swan or goose) as her vahana (mount or vehicle). She is also shown seated on a lotus with the hamsa on her banner. She wears various ornaments and is distinguished by

her basket-shaped crown called karaṇḍa mukuṭa.

Vaishnavi (Sanskrit: वैष्णवी, Vaiṣṇavī), the power of the preserver-god Vishnu, is described as seated on the Garuda (eagle-man) and having four or six arms. She holds Shankha (conch), chakra (Discus), mace and lotus and bow and sword or her two arms are in varada mudra (Blessing hand gesture) and abhaya mudra ("No-fear" hand gesture). Like Vishnu, she is heavily adorned with ornaments like necklaces, anklets, earrings, bangles etc. and a cylindrical crown called kiriṭa mukuṭa.

Maheshvari (Sanskrit: माहेस्वरी, Māheśvarī) is the power of god Shiva, also known as Maheshvara. Maheshvari is also known by the names Raudri, Rudrani and Maheshi, derived from Shiva's names Rudra and Mahesh. Maheshvari is depicted seated on Nandi (the bull) and has four or six hands. The white complexioned, Trinetra (three eyed) goddess holds a Trishula (trident), Damaru (drum), Akshamala (A garland of beads), Panapatra (drinking vessel) or axe or an antelope or a kapala (skull-bowl) or a serpent and is adorned with serpent bracelets, the crescent moon and the jaṭā mukuṭa (A headdress formed of piled, matted hair).

Aindri, (Sanskrit: ऐन्द्री, Aindrī) also known as Indrani (Sanskrit: इन्द्राणी, Indrāṇī), Mahendri, Shakri and Vajri, is the power of the Indra, the Lord of the heaven. Seated on a charging elephant, Aindri, is depicted dark-skinned, with two or four or six arms. She is depicted as having two or three or like Indra, a thousand eyes. She is armed with the Vajra (thunderbolt), goad, noose and lotus stalk. Adorned with variety of ornaments, she wears the kiriṭa mukuṭa.

Kaumari (Sanskrit: कौमारी, Kaumarī), also known as Kumari, Karttikeyani and Ambika^[37] is the power of Kumara (Kartikeya or Skanda), the god of war. Kaumari rides a peacock and has four or twelve arms. She holds a spear, axe, a Shakti (power) or Tanka (silver coins) and bow. She is sometimes depicted six-headed like Kumara and wears the cylindrical crown

Varahi (Sanskrit: वाराही, Vārāhī) or Vairali is described as the power of Varaha - the boar-headed form of Vishnu or Yama - the god of death, has a boar head on a human body and rides a ram or a buffalo. She holds a Danda (rod of punishment) or plough, goad, a Vajra or a sword, and a Panapatra. Sometimes, she carries a bell, chakra, chamara (a yak's tail) and a bow. She wears a crown called karaṇḍa mukuṭa with other ornaments.

Chamunda (Sanskrit: चामुण्डा, Cāṃuṇḍā), also known as Chamundi and Charchika is the power of Devi (Chandi). She is very often identified with Kali and is similar in her appearance and habit.^[38] The identification with Kali is explicit in Devi Mahatmya.^[39] The black coloured Chamunda is described as wearing a garland of severed heads or skulls (Mundamala) and holding a Damaru, trishula, sword and panapatra. Riding a jackal or standing on a corpse of a man (shava or preta), she is described as having three eyes, a terrifying face and a sunken belly.

Narasimhi (Sanskrit: नारसिंहीं, Nārasiṃhī), power of Narasimha (lion-man form of Vishnu), is a woman-lion and throws the stars into disarray by shaking her lion mane.

Though the first six are unanimously accepted by texts, the name and features of the seventh and eighth Matrika are disputed. In Devi-Mahatmya, Chamunda is omitted after the Saptamatrika list, while in sculpture in shrines or caves and the Mahabharata, Narasimhi is omitted. The Varaha Purana names Yami - the Shakti of Yama, as the seventh and Yogishwari as the eighth Matrika, created by flames emerging from Shiva's mouth. In Nepal, the eighth Matrika is called Maha-Lakshmi or Lakshmi is added omitting Narasimhi. In lists of nine Matrikas, Devi-Purana mentions Gananayika or Vinayaki - the Shakti of Ganesha, characterized by her elephant head and ability to remove obstacles like Ganesha and Mahabharavi omitting Narasimhi.

Sri Lalitha Sahasranama stotram

2010-03-24T18:09:00.007+05:30

Lalita sahasranama is a sacred Hindu text for the worshippers of the Goddess Lalita Devi, i.e. the Divine Mother, in the form of her and the male gods' feminine power, Shakti. Lalita is the Goddess of bliss, an epithet for Parvati. Etymologically, "Lalita" means "She Who Plays". It is supposedly one of the most complete stotras, one need only recite it to gain total salvation.
The names are organised as in a hymn, i.e. in the way of stotras. This hymn occurs in the Brahmanda Purana. It is a dialogue between Hayagriva, an (avatara) of MahaVishnu and the great sage Agastya.
Lalitha sahasranama was composed by 8 vaag devis (vaag devathas) upon the command of Devi Sri Lalitha. The 8 vaag devis are - Vasini, Kameshwari, Aruna, Vimala, Jayinee, Modhinee, Sarveshwari, Koulini. This depicts us the truth "One can worship Lalitha only if she wishes us to do so".
The slokas are organised in such a way that, Devi is described from "Head to Feet" (kEsAdhi pAdham).
Lalita Sahasranamam is held as a sacred text for the worship of the Divine Mother, Lalita, and is also used in the worship of Durga, Kali, Lakshmi, Saraswati, Bhagavathi, etc. It is a principal text of Shakti worshippers. Lalita Sahasranama names the various attributes of the Divine Mother, and all these names are organised in the form of a hymn. This Sahasranama is used in various modes for the worship of the Divine Mother. Some of the modes of worship are parayana (Recitations), archana, homa etc
he sloka is organised based on the 5 works (pancha kruthyam). They are - shrishti (Creation), sthithi (Protection), samhAram (Destruction), thirOdhAnam (Hiding) and anugraham (Blessing). Devi herself has been described as "pancha kruthya parAyanA" in the sloka and the five tasks are described as follows:
shrishtikarthree brahmma roopA gOpthree gOvinda roopini samhArinee rudra roopA thirOdhAnakareeswari sadAsiva anugrahadhA panchakruthya parAyanA
This means - Devi is doing shrishti as Brahmma, sthithi as Vishnu (Govinda), samhara as Rudra, thirodhanam as Eeswara and anugruham as Sadasiva.
This 5 entity (Brahmma, Vishnu, Rudra, Easwara and Sadasiva) are known as "pancha brahmmam". Lalitha has designated the five functions to these brahmmams. Sometimes, Devi will take away the life from these 5 brahmmam and make them inactive, performing all the 5 tasks by herself. At that time they will be called "pancha prEtam" that is life less bodies.
Now the first three slokas are: sree matha - (Great mother) Shrishti sree maha ragnee - (Great ruler)Sthithi sree math simhasaneswari - (One who sits on the simhasanam and manages) Samharam. Here there is no direct reference to samharam. But managing here includes, creating balance between birth and death.
The rest of the slokas cover - thirodhanam and anugraham.
Now the next namas - "chidhagnikunda sambhootha devakarya samudhyatha" tells us that devi arose from the fire of knowledge to help devas in their task (war against asuras - bandasura).
From the namAa- Udhyath bhanu sahasraba till sinjanamani manjeera manditha sree padambuja, all her parts like her face, fore head, eyes, mouth, tongue, voice, hands, hip, legs has been described.
Thereafter, Devi's place (Chintamani gruham), her war against bandasuran, kundalini shakthi, her properties (like who can reach her and who cannot) etc has been described.

http://www.4shared.com/audio/kRzDxdJW/Lalita_Sahasranamam.html

VISHNU SAHASRANAMA STOTRAM :challakere brothers

2010-02-23T18:16:00.000+05:30

http://rapidshare.com/files/351853960/Mantrarupi_Maha_Vishnu-C.bros..mp3
The Vishnu sahasranama (Sanskrit viṣṇusahasranāma, a tatpurusha compound translating literally to "the thousand names of Vishnu") is a list of 1,000 names (sahasranama) of Vishnu, one of the main forms of God in Hinduism and the personal supreme God for Vaishnavas (followers of Vishnu). It is also one of the most sacred and commonly chanted stotras in Hinduism. The Vishnu sahasranama as found in the Mahabharata is the most popular version of the 1000 names of Vishnu.

According to the 149th chapter of Anushāsanaparva in the epic Mahabharata, the names were handed down to Yudhisthira by the famous warrior Bhishma who was on his death bed at the battle of Kurukshetra. Yudhisthira asks Bhishma the following questions:^[1]^[2]

kimekam daivatam loke
kim vāpyekam parāyaṇam
stuvantaḥ kam kamarcantaḥ prāpnuyurmānavāḥ subham
ko dharmaḥ sarva dharmāṇām bhavataḥ paramo mataḥ
kim japan mucyate jantuḥ janmasamsārabandhanāt

In this universe who is the one Deva of all? (i.e., at whose command all beings function?, or who is God of all?. Who is the one greatest refuge for all? Who is the one Divinity by praising and by worshipping whom a man attains good? Which according to you is that highest form of Dharma (capable of bestowing salvation and prosperity on man)? What is that by uttering or reciting which any living being can attain freedom from cycle of births and deaths?
—Verses 7:8

Bhisma answers by stating that mankind will be free from all sorrows by chanting the Vishnu sahasranāma'Supreme Being Vishnu, who is the master of all the worlds, the supreme light, the essence of the universe and who is Brahman. All matter animate and inanimate reside in him and he in turn resides within all matter. which are the thousand names of the all-pervading

Bombay sisters :Mahishasura mardhini stotram , Bhuvansehwari suprabatham ,Bhuvaneshwari ashktakam

2010-01-31T20:12:00.004+05:30

http://rapidshare.com/files/343308084/bombay_sisters_carnatic.rar

http://www.youtube.com/watch?v=JiWetv8TOwg

Devi wall papers and paintings

2010-01-30T22:23:00.008+05:30

Shakti is the divine force, manifesting to destroy demonic forces and restore balance. Every God in Hinduism has his Shakti and without that energy they have no power. Lakshmi is the energy of Vishnu. Parvati is energy of Shiva. Shakti is also called Devi or mahadevi, assuming different roles as Sati, Parvati, Durga and Kali.

Goddess Lalita, also known as Lalitha Tripura Sundari devi and the red Goddess, is one of the most powerful manifestations of Goddess Shakti. Goddess Shakti incarnated as Lalita to demolish the demona demon formed from the ashes called Bhandasura. Bhandasura was of Manmadha or Kama deva, the God of Love and seduction.

When Lord Shiva was performing severe Tapas (penance), Manmadha tried to disturb him by aiming the arrows of seduction. Lord Shiva was disturbed greatly and with a deep anger opened his third eye and destroyed Manmadha into ashes. Shiva Gana Sevaks collected the ashes of Kama Deva and drew a portrait of a man. With a single glance of Lord Shiva on that portrait of ashes, it came alive. As we know, Lord Shiva is called as Bhola Shankar, blessed the live form of the ashes, which became demon called Bhandasura.

Blessed by Lord Shiva, Bhandasura started to show his real characteristics of a demon. He harassed Sadhus (saints) and occupied all the lokas including Swarga Loka (the Heaven). To get rid of demon Bhanda, Lord Indra (the King of Gods and Swarga Adhipathi) observed a Yagna (sacrifice) to please the Mother Goddess. Pleased with Indra’s Yagna, Goddess Shakti appeared as Sri Lalitha Devi sitting on Sri Chakra.

Sri Lalitha Devi demolished the demon Bhandasura and his original form of Manmadha or Kama was restored. The whole episode of Lalita and Bhandasura is explained as ‘Bhandasura Vadha’ in Puranas.

Goddess Lalita represents the Panchabhuta (five basic elements) of the Universe. Panchabhutas are – air, water, fire, earth and space (Vayu, Jala, Agni, Bhumi and Akasha). Lalitha Devi is also associated with Sri Chakra, the ultimate Chakra representing the origin and existence of the universe.

Lalita holds five flowery arrows, noose, goad and bow. The noose represents attachment, the goad represents repulsion, the sugarcane bow represents the mind and the flowery arrows are the five sense objects.

Lalita sahasranama is a sacred Hindu text for the worshippers of the Goddess Lalita Devi, i.e. the Divine Mother, in the form of her and the male gods' feminine power, Shakti. Lalita is the Goddess of bliss, an epithet for Parvati. Etymologically, "Lalita" means "She Who Plays". It is supposedly one of the most complete stotras, one need only recite it to gain total salvation.

Lakshmi Wallpapers and paintings

2010-01-30T20:36:00.000+05:30

Alamelu (Tamil: அலமேலு, Telugu: అలమేలు) also known as Alamelmanga and Padmavati (often spelled "Padmavathi" or "Padmavathy"), is a Hindu devi. Believed to be a form of Lakshmi, the Hindu devi of wealth and good fortune, Alamelu is the consort of Sri Venkateshwara. The name Padmavati is Sanskrit for "she who emerged from lotus".
The main temple to Sri Alamelu is situated at Thiruchanoor, also known as Alamelu-Mangapuram, a suburb of Tirupati City. Tradition dictates that every pilgrim to Tirupati must offer obeisance at this temple after visiting the temple at Tirupati-Tirumala balaji.
Lakshmi is seen in two forms, Bhudevi and Sridevi, both either side of Sri Venkateshwara or Vishnu. Bhudevi is the representation and totality of the material world or energy, called the aparam Prakriti, in which She is called Mother Earth. Sridevi is the spiritual world or energy, called the Param Prakriti. Most people are mistaken that they are separate beings although they are one, Lakshmi. Lakshmi is the power of Lord Vishnu.

Durga wallpapers and paintings

2010-01-30T15:00:00.001+05:30

Kanaka Durga Temple is a famous Hindu Temple of Goddess Kanaka Durga located in Vijayawada, Andhra Pradesh. The temple is located on the Indrakeeladri hill, on the banks of Krishna River.

Kaalika puraana, Durgaa sapthashati and other vedic literature have mentioned about Goddess Kanaka Durga on the Indrakeelaadri and have described the deity as Swayambhu, (self-manifested)

One of the many mythologies associated with this place is that Arjuna prayed to Lord Shiva on top of Indrakeela hill to win His blessings and the city derived its name "Vijayawada" after this victory. Another popular legend is about the triumph of goddess Kanakadurga over the demon King Mahishasura. It is said that the growing menace of demons became unbearable for the natives. Sage Indrakila practiced severe penance, and when the goddess appeared the sage pleaded Her to reside on his head and keep vigil on the wicked demons. As per his wishes of killing the demons, Goddess Durga made Indrakila Her permanent abode. .

Sri Kanaka Durga Devi, the chief deity of the temple is portrayed as blessing the visiting devotees in various forms (avatars) during the ten day DUSHERA festival. A symbolic representation of the 10 forms of triumph of good over evil, this form (known as 'Alankaram') of the day is chosen as per the astrological star of each day, in accordance with the lunar calendar. the devotees are being blessed according to the following schedule of Alankarams:

Day 1 -SRI SWARNA KAVACHALAKRUTA DURGA DEVI

Day 2 - SRI BALA TRIPURA SUNDARI DEVI

Day 3 - SRI ANNAPURNA DEVI

Day 4 - SRI GAYATRI DEVI

Day 5- SRI LALITHA TRIPURA SUNDARI DEVI

Day 6 - SRI SARASWATI DEVI

Day 7 - SRI MAHA LAKSHMI DEVI

Day 8 - SRI DURGA DEVI

Day 9 - SRI MAHISHASURA MARDHINI DEVI

Day 10 - SRI RAJA RAJESWARI DEVI

Krishna wallpapers and photos

2010-01-30T10:52:00.000+05:30

HARE KRISHNA .....These are all the paintings of krishna and the deities of isckon temples through out the world .

Sacred chants of shiva- remix

2010-01-30T10:11:00.000+05:30

http://rapidshare.com/files/343228984/ChandrasekharAshtakam.mp3.html
http://rapidshare.com/files/343228985/dakshinamurthi_stotram.mp3.html
http://rapidshare.com/files/343228986/daridra_nashana_shiva_stotram.mp3.html
http://rapidshare.com/files/343228988/Bhavanyastakam.mp3.html

http://rapidshare.com/files/343228989/Atmastakam_-_Bhanumati_Narisimhan_-_Sacred_Chants_Of_Shiva_by_Craig_Pruess.mp3.html

http://rapidshare.com/files/343228991/DvadashaJyothirlingaSmaranam.mp3.html

http://rapidshare.com/files/343228992/Kalabairavashtakam.mp3.html

http://rapidshare.com/files/343228993/om_hiranyagarbha.mp3.html

Sacred chants on ganesh

2010-01-30T10:06:00.000+05:30

http://rapidshare.com/files/343228981/Ganesha_Sthavaka.MP3.html
http://rapidshare.com/files/343228982/GaneshaShodasha_Namaani.MP3.html

Sri ganesh wallpapers and photos

2010-01-30T09:11:00.002+05:30